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The Music People 是一家成熟的国际企业对企业供应商,为音乐零售商和音响承包商提供音乐乐器配件和专业音频设备。作为始终如一的 Music Trades 全球 100 强供应商,我们很自豪能够支持 80 个国家/地区的表演者。The Music People 成立于 1979 年,由家族所有并经营了 40 多年。2020年,我们携手Exertis | Jam,北美领先的乐器、专业音频、专业照明和消费电子产品分销商。我们的员工和领导层将他们的知识和能力贡献给两个品牌部门:700 多种乐器配件和支架的 On-Stage,设计师、制造商和供应商,以及 200 多种专业音频、视频、灯饰、配件品牌。The Music People 成功支持世界各地的表演者和承包商的关键是培养一种重视与客户的长期关系的工作场所文化。该公司在 2013 年获得了 Hartford Business Journal 的家族企业奖,并四次获得 Hartford Courant 的最佳工作场所荣誉,最近一次是在 2021 年。TMP-Pro,The Music People 的专业音频、视频、灯光和专业配件部门,Exertis | Jam 业务经销 200 多个优质品牌,同时提供来自认证专家的产品建议和技术支持的附加值。我们强大的分销能力基于与知名品牌的牢固关系。我们提供逐项报价,并提供从单一联系点采购各种品牌的便利,没有最低订购要求。由于我们的认证专家了解如何设置和集成我们提供的专业音频产品,我们作为分销合作伙伴超出了预期。我们的专家包括音乐家和 AVL 安装专业人员,他们接受了我们分销的品牌的培训,使用的方法与品牌培训自己的技术人员的方法相同。对产品和系统的了解使我们的团队能够熟练地团结起来,并将项目成功所必需的项目联系起来。
  • TMP Pro Distribution 54363 混音器和控制台

    为Ashly ne24.24m DSP主机增加4个输入
  • TMP Pro Distribution 52681 混音器和控制台

    Ashly ne24.24m DSP主机增加4个输出
  • TMP Pro Distribution 66897 混音器和控制台

    "The Rane AM2 is both an 8 channel, gain-sharing automatic mic mixer and simultaneously a Rane RAD. Use it as a standalone mic-only mixer, add more gain-shared mics using up to seven additional AM2 Automixers, and\/or use the RAD Port to transport the mic mix via a Rane Mongoose to a CobraNet network. If you need manually mixed line audio sources, including USB Audio I\/O, see the Rane AM1 Automixer. Each of the eight XLR Mic Inputs offers front panel input Level controls feeding a gain-sharing automatic mixer. Rear panel, 3-position selectors support dynamic mics (no phantom power), condenser mics (48 V), or line input optimized for wireless receiver outputs (+10 dBu max). All Level controls come with front panel signal and overload indicators. The AM2 is optimized for automixing speech. The mic inputs have a fixed 100 Hz to 7 kHz bandpass filter to provide the best voice-only automatic mixing using the gain-sharing algorithm. The XLR Main Output can be set to mic- or line-level to feed a mic snake or a +20 dBu max balanced input. When an AM2 is used standalone, both the XLR Output and the RAD Port output audio are affected by the front panel Output Level control. When the AM2's Cascade Output feeds a downstream Rane AM1 or AM2, the front panel Output Level control only affects the XLR Output. The USB port is solely used as a firmware update port if future updates are needed. The RAD Port sends the AM2 Output mix to a Rane Mongoose for routing to output RADs and\/or a CobraNet network. Cascade IN accepts audio and data from an upstream AM2's Cascade OUT. This adds eight more mic channels to the initial AM 2 creating a 16-channel gain-sharing automix. A maximum of eight AM2s can be cascaded, offering up to 64 gain-shared mics. If an AM1 is included, it must be the final device in the chain of no more than eight. Simply connect Cascade OUT ports to Cascade IN ports and the AM1 RAD Port to the Mongoose. Both the Cascade IN port and the Cascade OUT\/RAD Port have status indicators to aid setup and troubleshooting. Rear panel Fault, Locate, USB and Power indicators inform head-scratchers of device errors, the AM2's physical location, positive USB audio device OS registration and AC power status. Duplicate Locate and Power indicators on the front help installers physically locate and verify AC power to the AM2. Universal IEC power on the rear supports 100 to 240 VAC and 50\/60 Hz. The AM2 is UL Listed and CE Certified."
  • TMP Pro Distribution 59432 混音器和控制台

    "The TASCAM LM-8ST is a 1-space rackmountable line mixer for installation, studio submixing, keyboardists or anyone looking for a great-sounding mix. Eight pairs of balanced 1\/4\" TRS inputs - switchable from +4 or -10dB - can be bussed to a pair of XLR balanced outputs, labeled ST1 and ST2\/AUX. Pre or post-fader bussing is available for the alternate buss, and master output level controls and metering keep signals under control. A microphone input is also provided for announcements or performance. Packed with high-quality audio components, the TASCAM LM-8ST is perfect for any live performance or installation."
  • TMP Pro Distribution 49623 混音器和控制台

    便携性和便利性是重要的标准,一个基于高性能雅马哈emx系列动力混频器的系统绝对是走的路。在一个集成的便携式单元中,你有一个混频器来组合和平衡你的麦克风、仪器和线源,效果来完善和抛光你的声音,动力来驱动主扬声器,甚至是监视器扬声器。EMX512具有32位SPX FX与可选的脚开关控制,双模式放大器,压缩器在每个单声道,反馈通道定位系统的识别问题通道,雅啊哈扬声器处理,以及更多。混合通道:4个单声道+ 4个立体声+返回辅助:1(效果发送)主:立体声输入通道功能 CH1-4压缩机,3波段PEQ CH5-8: 3波段PEQ 车载处理器:SPX 2x 7波段GEQ YSProcessing Mic输入:8 幽灵功率:+15V DC;开\/关线输入:4x立体声控制:脚踏开关待机(全静音)最大输出功率@ 4欧姆:500W\/ch 输出选择:L\/R L+R\/显示器"
  • TMP Pro Distribution 31005 混音器和控制台

    GL2400是一个紧凑的,双功能,LR, Mono sum, 4组,6 aux, 7x4矩阵控制台。帧大小范围从16到40个频道,包括2个双立体声频道。 GL2400是一个混合经典,行业标准的场所和雇佣仓库在全球范围内。GL2400是一款极致的4组双功能混合器,它是为最新的现代工程技术而设计的,在这款独特的小足迹混合器中,每一个细节都经过仔细考虑,以提供最佳的混合体验。
  • TMP Pro Distribution 40034 混音器和控制台

    "GL2800 is a compact, dual function, LR, M, 8 group, 10 aux, 12x4 matrix console. Frame sizes range from 24 to 48 channels including 2 stereo channels. • 2 extra dual stereos provide 4 summed or independent stereo returns • Fully featured 12x4 Matrix • Proper dual functionality for FoH\/Monitor mixing • Recording capable with channel direct outputs • M can be used for centre\/sub mix, LR mono sum, or engineers wedge • Matrix external inputs with level trims and common input capability • Stereo channel mic inputs can cross patch into matrix for ambience feed • Responsive 4 band, 2 sweep EQ • 100Hz channel high pass filters • Individual phantom power and polarity switching • Wide angle channel and master meters • Dedicated stereo monitor meters • Per channel pre\/post fader aux switching for full flexibility • Recessed pre\/post-EQ aux switching per channel • Internal jumper plugs for aux, direct out and other options • Mutes on all fader masters • 100mm dust protected faders • Assignable talkback to all outputs, includes a talk switch latch mode • 1kHz oscillator \/ pink noise generator with patchable external output • 2-track monitoring and replay to LR • 3 headphones\/earpiece sockets and local monitor outputs • Electronically balanced XLR outputs with +26dBu drive capability • Preamp 74dB range with +34dBu input capability for mic or line • Ultra low noise mix head amp design • Uses RPS11 high performance external linear power supply • Built-in combiner for redundant backup supply • Individual circuit card assembly with nutted pots • Sys-Link V2 console input\/output linking option • 4-pin XLR lamp sockets - Allen & Heath LEDlamp available"
  • TMP Pro Distribution 34045 混音器和控制台

    金封系列安瓿瓶为承包商提供了灵活的解决方案,而不需要输入模块。他们有4 XLR mic in,电话in, aux in,听觉兴奋器,声学EQ\/反馈控制,幻影功率,aux fade back,输入静音,和更多。
  • TMP Pro Distribution 50011 混音器和控制台

    金封系列安瓿瓶为承包商提供了灵活的解决方案,而不需要输入模块。他们有4 XLR mic in,电话in, aux in,听觉兴奋器,声学EQ\/反馈控制,幻影功率,aux fade back,输入静音,和更多。
  • TMP Pro Distribution 58394 混音器和控制台

    MMA系列混频器和混频器\/放大器提供定制设计选项,通过广泛的可选模块。常见功能包括8个MMA™Module端口,一个专用程序输入,高\/低EQ's,外部音量控制,静音总线,和可选的机架耳。输入:8个输入端口,每个接收任意输入\/输出模块;一个专用程序输入(双RCA唱机插孔),桥接进\出"
  • TMP Pro Distribution 58213 混音器和控制台

    在Ashly ne24.24m DSP主机上增加逻辑输出触发远程设备
  • TMP Pro Distribution 36472 混音器和控制台

    这24输入模式适合严重的现场声音应用,其中大量的来源必须处理有效。MG24\/14FX功能内置双雅马哈SPX效果处理器,所以你有一切你需要的伟大的声音权利在控制台。辅助总线和组总线的综合补充提供广泛的混合和信号路由功能。混合通道:16个单声道+ 4个立体声组:4个 AUX: 8个(2x备选)主:立体声单声道输入通道功能:CH1-16: HPF 3波段中扫PEQ Intert I\/O;CH17-24: 4波段PEQ 输出通道功能:LPF on Mono输出板上处理器:2x SPX Mic输入:16 幽灵功率:+48V DC;每8ch 线开关:4x立体控制:脚踏开关
  • TMP Pro Distribution 50954 混音器和控制台

    这32输入模式适合严重的现场声音应用程序,其中大量的来源必须处理有效。MG32\/14FX功能内置双雅马哈SPX效果处理器,所以你有一切你需要的伟大的声音权利在控制台。辅助总线和组总线的综合补充提供广泛的混合和信号路由功能。混合通道:24单声道+ 4立体声组:4 AUX: 8 (2x备选)主:立体声单声道输入通道功能:CH1-24: HPF 3波段中扫PEQ Intert I\/O;CH25-32: 4波段PEQ 输出通道功能:LPF on Mono输出板上处理器:2x SPX Mic输入:24 幽灵功率:+48V DC;每8ch 线开关:4x立体控制:脚踏开关
  • TMP Pro Distribution 39203 混音器和控制台

    "A basic Hear Back system consists of a Hub and personal Mixers connected using standard CAT5E cables. A single Hub supplies signal and power to a maximum of eight Mixers. That's one for you and everybody in the band. If that's not enough, the Hubs can be daisy-chained using the HearBus In and Out for virtually unlimited system size. The Hear Back Hub can accept analog input signals from audio mixers, auxiliary, matrix, monitor, and\/or direct outputs. The ADAT input can come from digital audio workstations, digital recorders, or digital mixers. For front of house or remotely located digital mixers, we also have the Extreme Extender ADAT In\/Out that converts ADAT optical, which has very limited distance, to the HearBus for transmission of up to 500 feet. Our solution, Hear Back, has several key advantages: Virtually unlimited system size Very attractive pricing Excellent audio fidelity Built-in DSP Limiter Very long digital lines possible without loss of audio quality Audio inputs ADAT, analog, and the HearBus are switch selectable from the front panel. Local control of up to ten channels of audio (8 inputs plus a stereo Aux input) Master Volume (controls the level to the headphones, line outs and the Aux input to the line outputs) Built-in DSP Limiter (designed as a \"brick wall\" limiter for hearing protection and to protect monitor wedges from overload) Headphone amplifier fault indicator in case of over temperature, or a short, the red LED comes on to alert the user something is a problem. A second visual trouble shooting aid for the user is the Bus status indicator Link Indicators - Whenever two pairs of mono inputs are linked for stereo operation the link LED is illuminated Standard CAT5E power and signal Connection, cost effective, simple, non-obtrusive way to connect eight channels of audio. The Cable is held in place with a \"built-in cable strain relief\" Balanced Line-Outs, Mono\/Stereo Stereo AUX In Built-in Mic Stand Mount may be mounted to a standard mic stand or clipped onto a stand extension bar or clip High Power - Low Distortion Headphone Amplifiers One of the industry's most powerful headphone amplifiers"
  • TMP Pro Distribution 37971 混音器和控制台

    "The A-16II allows individual performers to create custom monitor mixes tailored to their individual needs. Designed for use in live performance or in the studio, the A-16II Personal Mixer gives each performer control over channel volume, grouping, pan, stereo spread, and master volume and tone. Every Personal Mixer in a system can create a unique monitor mix for a performer. Users can save and recall up to sixteen custom mixes as presets in their Personal Mixer. Stereo output for wired or wireless The stereo output from the A-16II can be used to drive wired or wireless in-the-ear monitors, headphones, powered floor wedges, an amplifier, or spot monitors. The A-16II Personal Mixer is fully compatible with all Pro16® Series products, including Aviom's digital interface card for Yamaha® digital mixing consoles. Support for Aviom monitor mixing is available in the form of console interface cards from an ever- increasing list of digital console manufacturers including Digidesign®, Soundcraft®, Innovason®, etc. Daisy-chain and power Mixers can be daisy-chained or connected in parallel using an A-Net Distributor. Parallel connections also allow power to be supplied to the mixers over the Cat-5e cable. As with all Pro16 Series products, Cat-5e cable runs of up to 500 feet (150 meters) are possible between devices, and there is no limit to the number of mixers in a system.Audio Output: 1\/4-inch TRS stereo, headphone or line level Line\/Headphone TRS Output: Tip: Audio Left; Ring: Audio Right;Sleeve: Ground Auto-detects mono plugs A-Net Input\/Output: 1 A-Net input, 1 A-Net output; Category 5 (RJ45 connector) Digital to Analog Conversion Bit Depth: 24 bit Signal to Noise Ratio: (Referenced to 0dB) -103dB Latency: <0.880 msec (measured from analog input to analog output) Pro16 A-Net: uses unshielded Cat-5e UTP (or better) cable; maximum 500ft (150m) between devices Tone Controls: Treble +\/-12dB at 9kHz shelving Bass +\/-12dB at 160Hz shelving Maximum Levels (RMS): Line\/Headphone outs: 1.0 watt at 100 ohms Impedance: Line\/Headphone outs: 32 ohms Dimensions: 10.75\" (273 mm) wide x 5.6\" (142.2 mm) deep; 2.25\" (57.5 mm) high Weight: 3.4 lbs. (1.54 kg) Options: MT-1 Mic Stand Mount (uses 6-32 1\/4-inch screws) EB-1 Extension Bracket MT-X Expansion Box (requires MT-1)"
  • TMP Pro Distribution 38466 混音器和控制台

    "The A-16R is a single-rack- space stereo digital mixer that can be added to any Pro16® network. Its versatile feature set makes it the ideal choice for a variety of applications on stage or in permanent installations. The A-16R gives each performer control over channel volume, grouping, pan, stereo spread, and master volume and tone. Users can save and recall up to sixteen custom mixes as presets in their A-16R Personal Mixer. Connectivity Options For performers using wireless in-ear systems and powered floor wedges, the A-16R couples the mixing features of the A-16II Personal Mixer with additional connectivity options. Balanced outputs on the rear panel (with both XLR and 1\/4\" jacks) and stereo balanced insert points simplify audio connections to external processors, amps, or wireless transmitters. A front-panel headphone jack is also provided. The rear-panel stereo Mix In jacks allow a local analog audio source, such as a click track or program material, to be added to the user's mix. A front-panel Mix In level control is also provided. The A-16R can be remote controlled by adding the A-16CS Control Surface, allowing the A-16R to be rack mounted in an off-stage location with wireless in-ear monitor gear, amplifiers, etc. The A-16R can also be controlled via MIDI as well as RS-232 using approved third-party control systems. Pro64 Compatibility Adding an ASI A-Net Systems Interface to a Pro64 network allows the A-16R to output any bank of 16 channels from the Pro64 network. Audio Outputs: Impedance matched output Headphone Output: Front panel; TRS; Tip: Audio Left; Ring: Audio Right; Sleeve: Ground Mix input, stereo: Balanced 1\/4\" TRS; front-panel volume control Insert send\/return: Balanced 1\/4\" TRS A-Net I\/O: 1 A-Net In, 1 A-Net Out; RJ45 connectors D\/A Conversion: 44.1\/48kHz, 24 bit Indicators: Pan: 5 LEDs, 4 red, 1 green; Channel Volume: 12 red LEDs Stereo Operation: Stereo Link, per channel pair; set at the input module; Variable pan\/spread per channel or channel pair Tone Controls: Treble: ±12dB at 9kHz shelving Bass: ±12dB at 160Hz shelving Output Impedance: 140 ohms Freq. Response: 4Hz-22kHz +0.2dB\/-3dB THD +N <0.003% Signal to Noise (unweighted): -90dB typical, A\/D to D\/A Measured from AN-16\/i to A-16II Crosstalk: -90dB Latency : <0.880 msec (measured from analog input to analog output) Pro16 A-Net: uses unshielded Cat-5e UTP (or better) cable; maximum 500ft (150m) between device Remote Control: A-16CS: A-Control, RJ45 jack, max. 200 ft. (60m) Compatible with select third-party RS- 232 controllers"
  • TMP Pro Distribution 53488 混音器和控制台

    这三通道混频器有一个功能设置,在这个水平上是首屈一指的。著名的Xone VCF包括,高通,带通和低通滤波器开关,谐振控制和tap可编程的低频振荡器,而所有的过滤器设置可以保存到任何四个数字召回设置(DRS)存储器给予前所未有的控制音乐。结合著名的Xone音质,Xone:32是一个一流的行为,也是为数不多的小型格式混频器,这是安装在专业俱乐部电路足够好。
  • TMP Pro Distribution 49197 混音器和控制台

    "DN-X500 rackmount mobile\/club DJ mixer. Rock solid construction, superb audio fidelity, high quality parts, and of course reliability are the core ingredients of its design. The DN-X500's unique features provide Mobile and Club DJs tremendous flexibility and intuitive control. Eight-channel input matrix routing gives you the freedom to move any source to any channel or even the same source to multiple channels for remixing. Pre-fader level metering and gain control as well as Long 60 mm smooth channel faders are individually replaceable with our rotary knob option (ACD-46). Three-Band EQ with full output kill, booth output with channel select, two mic inputs with talkover sensitivity and effects send\/return with cue, dry\/wet knob and channel select should make this mixer the one you've been waiting for. Matrix Input Assignment No longer does your device need to be married to a particular Channel. Eight input sources are freely assignable to any channel or even multiple channels. 8 Line \/ 2 Phono Switchable 4 Smooth 60mm VCA Channel Faders Responsive 45mm VCA Cross Fader with Contour Adjust Independent Channel PFL Meters All input levels can be pre-adjusted in advance to match the gain levels, insuring a smooth transition between fades. Independent EQ On\/Off Switch Booth Output Assign Selector Pre-monitor any channel including Master through the booth output in the same manner as you would with your headphones, with volume control! External Send\/Return Control - Multi Channel Assignable - Effect On\/Off - Effect Cueing (Pre & Post) - Effect Dry\/Wet Knob Independent Channel A-B Post Switch (crossfader) Powerful Clean Headphone Output Fader Start (5V pulse) Cross Fader and Channel Fader-Start Trigger is compatible with all Denon DJ CD\/MP3 players. Other Features Compact 4U Rack Space with Recessed Rear Terminals Independent 3-band Main and Aux Mic EQ Independent CUE System (all channels) Mic Talkover Function with Sensitivity Adjustment Split \/Cue Headphone Monitor with PFL Metering Master Output -10dB Attenuation Switch Master Output Stereo\/Mono Switch Record Out - RCA\/Unbalanced Subwoofer\/Lighting Output with Frequency Adjust Ideal for powered speakers, powered amp or even a signal feed for lighting systems. Optional Rotary Knob Kit, Model: ACD-46 A DJ or club owner can easily swap out any Channel Fader (1 to 4) and replace them with our Optional ACD-46 Rotary Knob Kits, making the DN-X500 appealing to both Fader and Knob style DJs. With its powerful matrix routing option, it doesn't matter where they get installed."
  • TMP Pro Distribution 42837 混音器和控制台

    a - 16cs控制表面允许a - 16r个人混频器安装在机架与电源放大器,无线发射机,效果等,同时仍然允许表演者有完全控制混合功能和预置。此外,A-16CS提供直观的控制基本混合功能的系统在非性能设置。 A-16CS的用户界面类似于A-16II个人混频器的用户界面,提供对频道音量、分组、pan、立体声传播以及主音量和音调的控制。可从a - 16cs 远程保存和召回多达16个混合快照(存储在a - 16r中),以便免提操作,a - 16cs还包括一个脚开关插孔,允许表演者使用标准的双键盘脚开关来选择混合预置。 A-16CS通过标准Cat-5e电缆连接到A-16R,使用内置在A-16R和A-16CS中的a -控制插孔。a -控制电缆的长度可达200英尺(61米)。
  • TMP Pro Distribution 36459 混音器和控制台

    "TWO PROCESSORS. TWO UNIQUE APPLICATIONS. ONE RACK SPACE. 32 LEGENDARY LEXICON® EFFECTS. ENDLESS POSSIBILITIES. Whether you're looking for raw processing power with instant front-panel access for live performance, or seeking rich, smooth and complex processing algorithms in the studio, Lexicon® brings the best of both worlds together in the MX200 Dual Reverb\/Effects Processor. Designed with both live sound reinforcement and home recording in mind, MX200 features the deep, rich reverb and effects algorithms that built the Lexicon legend, and adds increased versatility with specialty effects and dbx® dynamics. Each of the 32 stunning reverbs and effects - and their parameters - are all instantly accessible within a single button push or knob turn on the intelligently designed front panel without wading through bank after bank of tedious menus. Add powerful Editor\/Librarian and VST® \/ Audio Units software, and bring 35 years of Lexicon heritage to your desktop. STUDIO OPERATION In the studio, advances in computer-based recording have led many engineers to value the instant control and heads-up use of plug-in effects - but many still yearn for the rich, complex sound found in a dedicated hardware processor. Now, Lexicon provides a USB interface with intuitive cross-platform VST® and Audio Unit plug-in windows, allowing the MX200 to function as a \"hardware plug-in\" - recognized and functioning within VST and Audio Units-compatible DAWs as a plug-in effect, but still operating as a dedicated hardware unit. This unique USB plug-in feature allows users to easily control the MX200 in their computer-based recordings within the graphical interface that appears in the recording application like a plug-in, with full automation and recall features. Now software-based recording engineers can stay focused on the heart of their studio - the application window of their recording software. A powerful cross-platform Editor\/Librarian software package is included as well. MX-Edit™ lets you create, edit, compare, save and load reverb and effects programs for use with your MX200 on your Mac® or Windows® XP computer. LIVE OPERATION Those using the MX200 in the live arena will appreciate its intuitive front panel layout, with an Active Reverb\/Effects Matrix that constantly displays which two of the 32 available effects are active, and all functions available within a single button-push turn of a knob. Dual independent processor control areas with dedicated Effects Select, Tempo, Bypass and three parameter control knobs provide instant access with precise and meaningful control over the most critical parameters for the selected effect. Parameter change LEDs illuminate to indicate any change from the 99 meticulously crafted Factory or 99 User Programs. Choose from five digitally-recorded audio samples to Audition the selected effects. SPLIT PERSONALITY Either way you choose to use the MX200 - live or in the studio - you can choose two legendary Lexicon® reverbs and effects at once in one of four flexible routing options including: Dual Mono, Cascade, Dual Stereo (Parallel), or Mono Split. Featuring 99 carefully crafted Factory programs, and 99 User programs that allow you to create your own legendary effects. Front panel controls include Input Level, Mix 1 and Mix 2 Wet\/Dry controls, Routing button, independent Tempo, Bypass and 3 control knobs for each Processor, Program Select knob, Audition button (to preview the selected effect) and Store button."
  • TMP Pro Distribution 80338 混音器和控制台

    "The versatile Atlas Sound TSD-RL21 2x1 mic\/line mixer is ideal for applications where paging, public address, and BGM music is required. Use as a standalone remote mixer or in conjunction with Atlas Sound power amplifiers in applications such as conference center meeting rooms, football stadiums, gymnasiums, retail\/hospitality or other areas requiring versatile, multi-source mix control. Channel one may be configured via rear panel dipswitch to accommodate mic or line level while channel two features a stereo summing RCA line level input. Both inputs are adjustable by front panel controls with removable knobs, which may be easily replaced by security, covers to prevent tampering. The remote level control feature allows use of the Atlas Sound AAVC-10K (or equivalent) decorative wall plate control for convenient remote adjustment of either the entire mix bus or RCA input 2 only (the typical BGM input). The TSD-RL21 is highly efficient and meets Energy Star standards as one 24V DC power supply (available separately) can power multiple Atlas Time Saving Devices. Unbalanced Input Impedance: 10KO Input Level: 316mV (-10dBV) = 2V (+6dBV) Balanced Output Balanced Input Impedance: 1.2KO Balanced, 600O Unbalanced Line Input Level: 1V (0dBV) Balanced 2V (+6dBV) Balanced Output Mic Input Level: 46dB Gain 10mV (-40dBV) Balanced = 2V (+6dbV) Balanced Output Balanced Line Output Impedance: 300O Balanced, 150O Unbalanced Line Output Level: 1V (0dBV) In = 2V (+6dBV) Frequency Response: 20Hz - 20kHz (+\/-1dB) THD: .06% & 1kHz Signal to Noise Ratio: Line to Line 85dBV Signal to Noise Ratio: Mic to Line 70dBV 24VDC Power Requirements: 60mA"
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