"The A-16R is a single-rack- space stereo digital mixer that can be added to any Pro16® network. Its versatile feature set makes it the ideal choice for a variety of applications on stage or in permanent installations. The A-16R gives each performer control over channel volume, grouping, pan, stereo spread, and master volume and tone. Users can save and recall up to sixteen custom mixes as presets in their A-16R Personal Mixer. Connectivity Options For performers using wireless in-ear systems and powered floor wedges, the A-16R couples the mixing features of the A-16II Personal Mixer with additional connectivity options. Balanced outputs on the rear panel (with both XLR and 1\/4\" jacks) and stereo balanced insert points simplify audio connections to external processors, amps, or wireless transmitters. A front-panel headphone jack is also provided. The rear-panel stereo Mix In jacks allow a local analog audio source, such as a click track or program material, to be added to the user's mix. A front-panel Mix In level control is also provided. The A-16R can be remote controlled by adding the A-16CS Control Surface, allowing the A-16R to be rack mounted in an off-stage location with wireless in-ear monitor gear, amplifiers, etc. The A-16R can also be controlled via MIDI as well as RS-232 using approved third-party control systems. Pro64 Compatibility Adding an ASI A-Net Systems Interface to a Pro64 network allows the A-16R to output any bank of 16 channels from the Pro64 network. Audio Outputs: Impedance matched output Headphone Output: Front panel; TRS; Tip: Audio Left; Ring: Audio Right; Sleeve: Ground Mix input, stereo: Balanced 1\/4\" TRS; front-panel volume control Insert send\/return: Balanced 1\/4\" TRS A-Net I\/O: 1 A-Net In, 1 A-Net Out; RJ45 connectors D\/A Conversion: 44.1\/48kHz, 24 bit Indicators: Pan: 5 LEDs, 4 red, 1 green; Channel Volume: 12 red LEDs Stereo Operation: Stereo Link, per channel pair; set at the input module; Variable pan\/spread per channel or channel pair Tone Controls: Treble: ±12dB at 9kHz shelving Bass: ±12dB at 160Hz shelving Output Impedance: 140 ohms Freq. Response: 4Hz-22kHz +0.2dB\/-3dB THD +N <0.003% Signal to Noise (unweighted): -90dB typical, A\/D to D\/A Measured from AN-16\/i to A-16II Crosstalk: -90dB Latency : <0.880 msec (measured from analog input to analog output) Pro16 A-Net: uses unshielded Cat-5e UTP (or better) cable; maximum 500ft (150m) between device Remote Control: A-16CS: A-Control, RJ45 jack, max. 200 ft. (60m) Compatible with select third-party RS- 232 controllers"

a - 16cs控制表面允许a - 16r个人混频器安装在机架与电源放大器，无线发射机，效果等，同时仍然允许表演者有完全控制混合功能和预置。此外，A-16CS提供直观的控制基本混合功能的系统在非性能设置。 A-16CS的用户界面类似于A-16II个人混频器的用户界面，提供对频道音量、分组、pan、立体声传播以及主音量和音调的控制。可从a - 16cs 远程保存和召回多达16个混合快照(存储在a - 16r中)，以便免提操作，a - 16cs还包括一个脚开关插孔，允许表演者使用标准的双键盘脚开关来选择混合预置。 A-16CS通过标准Cat-5e电缆连接到A-16R，使用内置在A-16R和A-16CS中的a -控制插孔。a -控制电缆的长度可达200英尺(61米)。

"TWO PROCESSORS. TWO UNIQUE APPLICATIONS. ONE RACK SPACE. 32 LEGENDARY LEXICON® EFFECTS. ENDLESS POSSIBILITIES. Whether you're looking for raw processing power with instant front-panel access for live performance, or seeking rich, smooth and complex processing algorithms in the studio, Lexicon® brings the best of both worlds together in the MX200 Dual Reverb\/Effects Processor. Designed with both live sound reinforcement and home recording in mind, MX200 features the deep, rich reverb and effects algorithms that built the Lexicon legend, and adds increased versatility with specialty effects and dbx® dynamics. Each of the 32 stunning reverbs and effects - and their parameters - are all instantly accessible within a single button push or knob turn on the intelligently designed front panel without wading through bank after bank of tedious menus. Add powerful Editor\/Librarian and VST® \/ Audio Units software, and bring 35 years of Lexicon heritage to your desktop. STUDIO OPERATION In the studio, advances in computer-based recording have led many engineers to value the instant control and heads-up use of plug-in effects - but many still yearn for the rich, complex sound found in a dedicated hardware processor. Now, Lexicon provides a USB interface with intuitive cross-platform VST® and Audio Unit plug-in windows, allowing the MX200 to function as a \"hardware plug-in\" - recognized and functioning within VST and Audio Units-compatible DAWs as a plug-in effect, but still operating as a dedicated hardware unit. This unique USB plug-in feature allows users to easily control the MX200 in their computer-based recordings within the graphical interface that appears in the recording application like a plug-in, with full automation and recall features. Now software-based recording engineers can stay focused on the heart of their studio - the application window of their recording software. A powerful cross-platform Editor\/Librarian software package is included as well. MX-Edit™ lets you create, edit, compare, save and load reverb and effects programs for use with your MX200 on your Mac® or Windows® XP computer. LIVE OPERATION Those using the MX200 in the live arena will appreciate its intuitive front panel layout, with an Active Reverb\/Effects Matrix that constantly displays which two of the 32 available effects are active, and all functions available within a single button-push turn of a knob. Dual independent processor control areas with dedicated Effects Select, Tempo, Bypass and three parameter control knobs provide instant access with precise and meaningful control over the most critical parameters for the selected effect. Parameter change LEDs illuminate to indicate any change from the 99 meticulously crafted Factory or 99 User Programs. Choose from five digitally-recorded audio samples to Audition the selected effects. SPLIT PERSONALITY Either way you choose to use the MX200 - live or in the studio - you can choose two legendary Lexicon® reverbs and effects at once in one of four flexible routing options including: Dual Mono, Cascade, Dual Stereo (Parallel), or Mono Split. Featuring 99 carefully crafted Factory programs, and 99 User programs that allow you to create your own legendary effects. Front panel controls include Input Level, Mix 1 and Mix 2 Wet\/Dry controls, Routing button, independent Tempo, Bypass and 3 control knobs for each Processor, Program Select knob, Audition button (to preview the selected effect) and Store button."

Samson的TXM桌面电源混频器功能录音控制台规格，工作室的质量效果和功率负载，设计作为一个便携式但强大的现场声音应用解决方案。TXM16是一个16通道功率的混频器，可选择功率放大器模式设置为500瓦的功率每通道，或1000瓦的桥接单声道。它具有8个高质量的麦克风前置放大器与幻影功率，通道插入和低削减滤波器。1\/4寸手机和免提®输出。3波段EQ预通道，3 Aux发送，和一个内部24位效果处理器与100预置程序。有1立体声9波段图形EQ为mains加1单声道9波段图形EQ为监视器，和一个单声道子输出与可变低通滤波器。一个大型金属抓手手柄和机架安装工具包的TXM16包括使它完美地适合固定安装。

Samson的新的TXM动力桌面混音器功能的录音控制台规格，工作室质量效果和电源负载，设计作为一个便携式但强大的现场音响应用解决方案。TXM20是一个20通道供电的混频器，可选择功率放大器模式设置为500瓦的功率每通道，或1000瓦的桥接单声道。它具有12个高品质的麦克风前置放大器与幻影功率，通道插入和低切割lters。1\/4寸手机和免提®输出。3波段EQ预通道，4 Aux发送，和双内部24位效果处理器与100预置程序。有一个立体声9波段图形EQ为mains + 1单声道9波段图形EQ为监视器，和一个单声道子输出可变低通lter。所有这些加上一个大的金属提手使TXM20同样适合演奏的音乐家或盒装安装。

MDR1064是一个10通道混频器与6低噪音麦克风前置放大器。6个mic\/线输入和两个立体声输入，每个功能3波段均衡器加上两个aux发送。MDR1064的主部分包括两个立体声aux返回和一个用于播放立体声设备和录制混音的2轨输入和输出。MDR1064拥有干净、清晰的声音再现、甜美的均衡和灵活的信号路由，确保了从性能到性能的可靠、高质量的声音。优化为录音，现场强化和商业安装，MRD1064是一个理想的混合解决方案提供大的声音在一个紧凑的包。与Samson的所有MDR混频器一样，MDR1064具有先进的电路设计，使用离散组件和高质量、低噪声运算放大器，在信号路径的每个阶段都经过精心挑选，为您提供最大的动态范围和透明的音频信号，为您的现场或录制的音乐。

"ZED-12FX is ideal for groups who need to travel light. Even with its small footprint, the 12FX squeezes in 4 auxiliary channels and swept semi-parametric EQ on top of the already impressive feature set including configurable USB audio in\/out makes it easy to capture stereo recordings. USB audio flexibility Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that's it! CD quality audio to and from your PC or Mac. Switches and connection through jack socket terminals provide different send\/return configurations:- Send options: 1) Main Mix Left + Right (Post-fade) 2) Main Mix Left + Right (Pre-Fade) 3) Auxes 1-2 4) Auxes 3-FX Return options: 1) To Stereo 3 channel MusiQ ZED-12FX features a responsive 3-band, swept mid frequency EQ design which utilises MusiQ - with optimised slope (or Q factor) for equalising individual instruments. DuoPre™ Based on the proven pre-amps from the hugely successful PA series, ZED-12FX has DuoPre pre-amps, which use a two stage design, with carefully controlled amounts of gain in each stage. When amplifying the signal from the XLR input, the gain range is huge - 69dB of range to be exact - and is very evenly distributed around the gain control, meaning better control of signal level. Most of the gain comes from the first stage, so unwanted noise is kept to a minimum. Line level signals are simply plugged into the second stage of the pre-amp by using the line input jack socket, which has the great advantage of less noise when using the line input and also matching to a higher input impedance.ZED-FX ZED-12FX has an essential selection of 16 time-delay effects, designed for small groups who don't want to carry around an effects unit with their gear but who still want great quality FX at their gigs and on their recordings. Our DSP engineers worked hard, crafting and refining beautiful reverb algorithms to enhance every performance. These effects are available nowhere else at this price point - this quality and integration is only available from the ZED-FX. ZED effects are easily controlled using 3 buttons with 9 display LEDs. For example, the ideal delay time can be quickly tapped-in, or the perfect amount of reverb on the lead vocal can be dialled-in. There is one-stop navigation and editing - in fact, it's just as easy as using effects pedals. To alter effects parameters, the TAP button is held down and the up\/down buttons pressed to adjust the specific parameter for that effect, for example, the decay length on PLATE, or the depth on CHORUS. SONAR X1 LE - Provided Free! We've included Cakewalk SONAR X1 LE with ZED-12FX so you can immediately start to use it to create your own music - just add a PC and it couldn't be easier to get going. You'll be able to record from your ZED mixer, create tracks and arrange songs, then play back to ZED via the USB port. You can use SONAR X1 LE and your ZED mixer together in many ways - e.g. straightforward recording of a stereo mix, recording tracks individually to build up a song, or using the USB port and software as an effects loop. Key Features • Powered by SONAR X1 • 32 audio tracks • 64 MIDI tracks • 8 simultaneous inputs and outputs • 24-bit\/96 kHz audio quality • 24 simultaneous effects • 8 simultaneous virtual instruments"

"ZED-14 is a fantastic entry-level mixer for small bands, solo performers or AV applications. Its comprehensive feature set, compact size and fine lines combine to make it one of the best small mixers around. Provided with configurable USB audio in\/out makes it easy to capture stereo recordings, 6 mic or line inputs, 4 stereo inputs with EQ, there are an incredible 157 controls on the front panel of the ZED-14. This is a mixer for anyone, from entry-level to professionals, who appreciates fantastic sound, rugged build quality and imaginative feature sets. It'll be equally happy running your gig on stage, recording live or mixing down in your studio at home. We've teamed up with major software supplier, Cakewalk, to bundle its SONAR X1 LE music creation and audio production software with ZED, giving you a fantastic, high spec digital audio workstation. USB audio flexibility Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that's it! CD quality audio to and from your PC or Mac. Switches and connection through jack socket terminals provide different send\/return configurations:- Send options: 1) Main Mix Left + Right (Post-fade) 2) Main Mix Left + Right (Pre-Fade) 3) Auxes 1-2 4) Auxes 3-4 Return options: 1) To Stereo 3 channel MusiQ ZED-14 features a responsive 3-band, swept mid frequency EQ design which utilises MusiQ - with optimised slope (or Q factor) for equalising individual instruments.DuoPre™ Based on the proven pre-amps from the hugely successful PA series, ZED-14 has DuoPre pre-amps, which use a two stage design, with carefully controlled amounts of gain in each stage. When amplifying the signal from the XLR input, the gain range is huge - 69dB of range to be exact - and is very evenly distributed around the gain control, meaning better control of signal level. Most of the gain comes from the first stage, so unwanted noise is kept to a minimum. Line level signals are simply plugged into the second stage of the pre-amp by using the line input jack socket, which has the great advantage of less noise when using the line input and also matching to a higher input impedance. SONAR X1 LE - Provided Free! We've included Cakewalk SONAR X1 LE with ZED-14 so you can immediately start to use it to create your own music - just add a PC and it couldn't be easier to get going. You'll be able to record from your ZED mixer, create tracks and arrange songs, then play back to ZED via the USB port. You can use SONAR X1 LE and your ZED mixer together in many ways - e.g. straightforward recording of a stereo mix, recording tracks individually to build up a song, or using the USB port and software as an effects loop. Key Features • Powered by SONAR X1 • 32 audio tracks • 64 MIDI tracks • 8 simultaneous inputs and outputs • 24-bit\/96 kHz audio quality • 24 simultaneous effects • 8 simultaneous virtual instruments"

"ZED-22FX is ideal for groups who need to travel light. Featuring configurable USB audio in\/out makes it easy to capture stereo recordings. The ZED-22FX easily accommodates vocals, drums, guitar, bass and keys whilst also providing a dedicated FX bus and 16 internal time-delay effects - giving the whole mix extra ambience. USB audio flexibility Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that's it! CD quality audio to and from your PC or Mac. Switches and connection through jack socket terminals provide different send\/return configurations:- Send options: 1) Main Mix Left + Right (Post-fade) 2) Main Mix Left + Right (Pre-Fade) 3) Auxes 1-2 4) Auxes 3-FX Return options: 1) To Stereo 3 channel MusiQ ZED-22FX features a responsive 3-band, swept mid frequency EQ design which utilises MusiQ - with optimised slope (or Q factor) for equalising individual instruments. DuoPre™ Based on the proven pre-amps from the hugely successful PA series, ZED-22FX has DuoPre pre-amps, which use a two stage design, with carefully controlled amounts of gain in each stage. When amplifying the signal from the XLR input, the gain range is huge - 69dB of range to be exact - and is very evenly distributed around the gain control, meaning better control of signal level. Most of the gain comes from the first stage, so unwanted noise is kept to a minimum. Line level signals are simply plugged into the second stage of the pre-amp by using the line input jack socket, which has the great advantage of less noise when using the line input and also matching to a higher input impedance.ZED-FX ZED-22FX has an essential selection of 16 time-delay effects, designed for small groups who don't want to carry around an effects unit with their gear but who still want great quality FX at their gigs and on their recordings. Our DSP engineers worked hard, crafting and refining beautiful reverb algorithms to enhance every performance. These effects are available nowhere else at this price point - this quality and integration is only available from the ZED-FX. ZED effects are easily controlled using 3 buttons with 9 display LEDs. For example, the ideal delay time can be quickly tapped-in, or the perfect amount of reverb on the lead vocal can be dialled-in. There is one-stop navigation and editing - in fact, it's just as easy as using effects pedals. To alter effects parameters, the TAP button is held down and the up\/down buttons pressed to adjust the specific parameter for that effect, for example, the decay length on PLATE, or the depth on CHORUS. SONAR X1 LE - Provided Free! We've included Cakewalk SONAR X1 LE with ZED-22FX so you can immediately start to use it to create your own music - just add a PC and it couldn't be easier to get going. You'll be able to record from your ZED mixer, create tracks and arrange songs, then play back to ZED via the USB port. You can use SONAR X1 LE and your ZED mixer together in many ways - e.g. straightforward recording of a stereo mix, recording tracks individually to build up a song, or using the USB port and software as an effects loop. Key Features • Powered by SONAR X1 • 32 audio tracks • 64 MIDI tracks • 8 simultaneous inputs and outputs • 24-bit\/96 kHz audio quality • 24 simultaneous effects • 8 simultaneous virtual instruments"

"Control Your Sound Your Way! With a PreSonus StudioLive-series digital mixer, you not only get high-end sound and tremendous processing, mixing, and recording power, you can control all of this sonic might from virtually anywhere. Want to touch your mix with the physical feedback of real faders and rotary knobs and an intuitive, analog-like user interface The StudioLive delivers big time; sound people who have only mixed with analog boards quickly become comfortable working with a StudioLive. Despite its analog-like mixing surface, however, this is very much a digital console, and it offers features no analog mixer—and very few digital boards—can match. For example, the ability to control the StudioLive mixer from a laptop adds tremendous flexibility and convenience—and with the bundled Virtual StudioLive bidirectional control\/editor\/librarian software, you get it all for free. Add third-party VPN software, and you can even control StudioLive mixers over the Internet—ideal for contractors. To get a competing mixer with computer control even close to this complete, you'd have to pay several times as much. So far, so good—if you work from the mixing station. But if you could also walk around a venue or recording studio and remain in control of your mixer using a wireless iPad, that would really be sweet! Done, with PreSonus' free StudioLive Remote for iPad. StudioLive Remote is easy to use, provides control of almost every feature of the StudioLive, and looks and feels like an iPad app should. The level of control you get with PreSonus StudioLive-series mixers is beyond cool—it's absolutely ice! Now you can control your sound from anywhere you choose—no limits! Only with PreSonus StudioLive. See it. Touch it. Change it: the ease of analog meets the power of digital. When we designed StudioLive, one of our primary goals was to provide a familiar interface that would keep all critical controls visible and accessible—not buried inside multiple menus. Sit down at a StudioLive 24.4.2, and you see real hardware Mute and Solo buttons, trim controls, and clearly labeled, individual knobs for the parametric EQ and dynamics processing. The master section—complete with Talkback, Monitor, Cue, and a choice of headphone sources—looks just like the master section on an analog board but with far more power and flexibility. Aux sends have their own controls. Every channel has a big, bright meter display.Not just effects. Effects you'd expect from a $600 stand-alone processor. You get two programmable, 32-bit, stereo DSP effects engines, loaded with 50 reverbs, delays, and time-based effects that you can really use. The reverbs are so rich and detailed that you feel like you're there. Delays are precise. Slap echo sounds like old-school tape effects. All 50 effects have easy-to-use parameter adjustment, tap tempo, store, recall, and Scene selection for ultimate creative flexibility. The StudioLive 24.4.2's 4 dual, 31-band graphic equalizers can be applied to the main, subgroup, and aux outputs so you can compensate for room acoustics, speaker response, and much more. All of these features add up to a lot of settings to remember and reset at every performance. That's where the power of digital comes in: StudioLive lets you save all of your digital settings for quick setup and recall. Save Scenes that include every setting on the mixer or save just the Fat Channel settings. Copy-and-paste settings across multiple channels. Save individual DSP effects for ultimate ease, speed, and control. This means that for fixed applications like clubs, churches, and auditoriums, you can always count on the same sound and can fine-tune Scenes for different songs and call them up instantly. And it lets rank amateur volunteers successfully operate the StudioLive 24.4.2. We've included a whole library of individual channel settings as starting points for optimizing the sound of instruments, vocals, and spoken word. An AutoStore feature regularly saves your current settings in case the power fails. Recording made easy. If you have a computer with 6-pin FireWire, you have a 26-track digital recorder instantly ready to capture your gig, church service, or presentation. Just two mouse clicks engages Capture™ recording software. Studio One Artist™ digital audio workstation lets you edit and enhance to your heart's content. StudioLive 24.4.2 features a tightly integrated FireWire interface that delivers up to 32 channels of recording and up to 26 channels of simultaneous playback. Each FireWire recording channel can be set to record either pre- or post-Fat Channel signal processing, delivering total flexibility and power. Because StudioLive 24.4.2 can so easily return FireWire playback channels from your computer, you can pull off nifty tricks. You can soundcheck your band and fine-tune the P.A. in a new venue, even when the band's not there yet. Or create backing tracks at your studio and seamlessly blend them with live performances."

Ashly ne24.24m DSP主机增加4个输出

皇冠28M是一款商业/工业混合机，适用于学校、医院、餐馆、工厂等。特性包括总结的RCA\/bal。凤凰输入，平衡凤凰出局，24V辅助电源终端，优先鸭，低音\/高音锅。皇冠公司的商业音频单元是商业声音的明智选择，可以轻松配置为多种用途，如传呼、背景音乐、安全和疏散指示。

VMIX是理想的背景/前景音乐和分页。它具有8个模块海湾，4优先级别，独立音量控制，电动主音量，和低音\/高音控制。对于大型应用程序，几个VMIXs可以连接在一起。

"The Rane AM2 is both an 8 channel, gain-sharing automatic mic mixer and simultaneously a Rane RAD. Use it as a standalone mic-only mixer, add more gain-shared mics using up to seven additional AM2 Automixers, and\/or use the RAD Port to transport the mic mix via a Rane Mongoose to a CobraNet network. If you need manually mixed line audio sources, including USB Audio I\/O, see the Rane AM1 Automixer. Each of the eight XLR Mic Inputs offers front panel input Level controls feeding a gain-sharing automatic mixer. Rear panel, 3-position selectors support dynamic mics (no phantom power), condenser mics (48 V), or line input optimized for wireless receiver outputs (+10 dBu max). All Level controls come with front panel signal and overload indicators. The AM2 is optimized for automixing speech. The mic inputs have a fixed 100 Hz to 7 kHz bandpass filter to provide the best voice-only automatic mixing using the gain-sharing algorithm. The XLR Main Output can be set to mic- or line-level to feed a mic snake or a +20 dBu max balanced input. When an AM2 is used standalone, both the XLR Output and the RAD Port output audio are affected by the front panel Output Level control. When the AM2's Cascade Output feeds a downstream Rane AM1 or AM2, the front panel Output Level control only affects the XLR Output. The USB port is solely used as a firmware update port if future updates are needed. The RAD Port sends the AM2 Output mix to a Rane Mongoose for routing to output RADs and\/or a CobraNet network. Cascade IN accepts audio and data from an upstream AM2's Cascade OUT. This adds eight more mic channels to the initial AM 2 creating a 16-channel gain-sharing automix. A maximum of eight AM2s can be cascaded, offering up to 64 gain-shared mics. If an AM1 is included, it must be the final device in the chain of no more than eight. Simply connect Cascade OUT ports to Cascade IN ports and the AM1 RAD Port to the Mongoose. Both the Cascade IN port and the Cascade OUT\/RAD Port have status indicators to aid setup and troubleshooting. Rear panel Fault, Locate, USB and Power indicators inform head-scratchers of device errors, the AM2's physical location, positive USB audio device OS registration and AC power status. Duplicate Locate and Power indicators on the front help installers physically locate and verify AC power to the AM2. Universal IEC power on the rear supports 100 to 240 VAC and 50\/60 Hz. The AM2 is UL Listed and CE Certified."

"The TASCAM LM-8ST is a 1-space rackmountable line mixer for installation, studio submixing, keyboardists or anyone looking for a great-sounding mix. Eight pairs of balanced 1\/4\" TRS inputs - switchable from +4 or -10dB - can be bussed to a pair of XLR balanced outputs, labeled ST1 and ST2\/AUX. Pre or post-fader bussing is available for the alternate buss, and master output level controls and metering keep signals under control. A microphone input is also provided for announcements or performance. Packed with high-quality audio components, the TASCAM LM-8ST is perfect for any live performance or installation."

"The WZ3 16:2 is a versatile, easy to use 16 mic\/line channel mixer - the next generation of this industry standard multi-purpose design. Now in its 3rd generation, the legendary MixWizard range builds on its market leading status by adding a new mic preamp design and advanced grounding scheme, which both further enhance sonic quality. Other improvements include individual phantom power switches, channel signal indicators, lamp socket and backup supply capability."

"ZED-24 has an incredibly advanced feature-set for a mixer at this level - it has 23 independent sources to the mix, 10 independent outputs, 4 aux sends, Configurable USB audio in\/out makes it easy to capture stereo recordings, playback and effects, a unique dual stereo input capability and some very advanced monitoring facilities. In fact, ZED-24 is so packed full of great features that you'd think it would cost much, much more! USB audio flexibility Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that's it! CD quality audio to and from your PC or Mac. Switches and connection through jack socket terminals provide different send\/return configurations:- Send options: 1) Main Mix Left + Right (Post-fade) 2) Main Mix Left + Right (Pre-Fade) 3) Auxes 1-2 4) Auxes 3-FX Return options: 1) To Stereo 3 channel MusiQ ZED-22FX features a responsive 3-band, swept mid frequency EQ design which utilises MusiQ - with optimised slope (or Q factor) for equalising individual instruments. DuoPre™ Based on the proven pre-amps from the hugely successful PA series, ZED-22FX has DuoPre pre-amps, which use a two stage design, with carefully controlled amounts of gain in each stage. When amplifying the signal from the XLR input, the gain range is huge - 69dB of range to be exact - and is very evenly distributed around the gain control, meaning better control of signal level. Most of the gain comes from the first stage, so unwanted noise is kept to a minimum. Line level signals are simply plugged into the second stage of the pre-amp by using the line input jack socket, which has the great advantage of less noise when using the line input and also matching to a higher input impedance.SONAR X1 LE - Provided Free! We've included Cakewalk SONAR X1 LE with ZED-22FX so you can immediately start to use it to create your own music - just add a PC and it couldn't be easier to get going. You'll be able to record from your ZED mixer, create tracks and arrange songs, then play back to ZED via the USB port. You can use SONAR X1 LE and your ZED mixer together in many ways - e.g. straightforward recording of a stereo mix, recording tracks individually to build up a song, or using the USB port and software as an effects loop. Key Features • Powered by SONAR X1 • 32 audio tracks • 64 MIDI tracks • 8 simultaneous inputs and outputs • 24-bit\/96 kHz audio quality • 24 simultaneous effects • 8 simultaneous virtual instruments"

使用XLR和S\/PDIF连接，M-OneXL特别适合活动应用程序。它不仅包括一系列世界级的TC动词，而且还提供了专为实时声音设计的新算法。它还提供，压缩机，限幅器，延迟，和弦，参数EQ's，法兰，门，扩展器，设计，颤音，和相位器。车牌1和2 最基本的音响混响在M-One XL是\非数字\，机械的声音，使金属车牌多余:创造人工反射典型发现\旧机械\混响!盘1和盘2在鼓和声道上特别好。房间著名的TC电子房间混响产生大量不同大小和表面的房间设置。房间的混响使你的音乐生动起来，添加最终的现实主义和纹理到你的混合。预置 M-One XL装有200个高级工厂预置，涵盖几乎所有可以想象的应用。最重要的是，M-One可以在用户银行中存储多达100个你最喜欢的预置。当您对预置满意时，只需按下存储键保存即可。它是如此简单，以至于你几乎忘记你实际上是在做预置!简而言之，M-One XL为您提供了所有的工具，您需要的，无论何时您想要创建质量效果如调制和音高效果以及EQ, De-esser和动力学!鼓动词制作一个鼓包，特别是小军鼓，使用混响已经成为流行\/摇滚多年来的标准。在听力条件完美的录音室里，有很多选择。在PA的情况下达到同样的效果是完全不同的故事。高密度混响在扩音系统中往往会消失。使用的\Live\类型混响的M-One XL将给你准确的颗粒级必要的实现这一特殊的效果。Live\混响非常适合简短和快速的小snare混响，以及大民谣3.0秒的汤姆混响。大主音人声大主音人声经常被一个很好的调音大厅支持，甚至可能有一些延迟。将这两种效果完美地结合起来可能有点困难。延迟重复的事实继续重复原始干源，即使在混响衰减后，使延迟突出作为一个单独的效果。使用M-One XL \并行\/串行\路由允许您使用两种延迟，与精确的抽头控制，和高密度混响与独立的输入，同时馈送延迟重复到混响，允许更大的整合两种效果。环境声增强在现场混音中使主声声音既清脆又呈现不总是容易的。把音量调大，保持中性频率，会让声音浮在音乐上。使用M-One XL的氛围混响有助于这种特殊情况。高密度的早期反射和短暂的衰减，将为声音增加足够的亮度和光芒，而不影响频率响应。

Soundcraft还推出了另一款快速增长的新Soundcraft系列产品——多格式低成本EPM混音器。 Soundcraft EPM的重点是非常坚定的质量构建和音频性能，与一个容易理解的控制表面没有不必要的设施，Soundcraft带来了新技术和想法，这是一个非常经济的范围。表面安装技术贯穿始终，使用紧密公差组件实现高精度和EQ和增益控制的可重复设置。高透明GB30 Mic amp(由Graham Blyth为公司成立30周年而设计，也用于较大的LX7ii和GB系列主机上)具有高分辨率的调整，增益范围为55dB，通过控制台提供了令人惊叹的+22dB净空。真正专业的48伏幻影电源满足电容器麦克风的所有类型。信号监控的一个独特特点是尖峰led。这使用多点信号起飞，以观察超载在通道带的几个部分，和led灯更明亮，当信号接近峰值点。为了平滑和准确的通道控制，EPM有60mm高质量的喇叭，作为使用在其他Soundcraft桌。监视器输出和耳机输出是并行工作的，这样当工程师在录音室的监视器上监听时，表演者仍然可以监听手机。模拟\/数字:模拟帧大小:12 立体通道:2 数字I\/O:无 FX处理器:0 组:0 EQ波段:3 辅助发送:2 返回:1 直接输出:无矩阵输出:0 主总线输出:LR"

Soundcraft还推出了另一款快速增长的新Soundcraft系列产品——多格式低成本EPM混音器。 Soundcraft EPM的重点是非常坚定的质量构建和音频性能，与一个容易理解的控制表面没有不必要的设施，Soundcraft带来了新技术和想法，这是一个非常经济的范围。表面安装技术贯穿始终，使用紧密公差组件实现高精度和EQ和增益控制的可重复设置。高透明GB30 Mic amp(由Graham Blyth为公司成立30周年而设计，也用于较大的LX7ii和GB系列主机上)具有高分辨率的调整，增益范围为55dB，通过控制台提供了令人惊叹的+22dB净空。真正专业的48伏幻影电源满足电容器麦克风的所有类型。信号监控的一个独特特点是尖峰led。这使用多点信号起飞，以观察超载在通道带的几个部分，和led灯更明亮，当信号接近峰值点。为了平滑和准确的通道控制，EPM有60mm高质量的喇叭，作为使用在其他Soundcraft桌。监视器输出和耳机输出是并行工作的，这样当工程师在录音室的监视器上监听时，表演者仍然可以监听手机。模拟\/数字:模拟帧大小:6 立体通道:2 数字I\/O:无 FX处理器:0 组:0 EQ波段:3 辅助发送:2 返回:1 直接输出:无矩阵输出:0 主总线输出:LR"

在GB4系列中，我们对机械结构给予了仔细的关注，以确保在艰苦条件下的可靠性，所有的输入模块都是由独立的垂直安装的pcb构成，安装在钢制底盘前面板上的独立的电位计。 GB系列还分享了时髦的外观的MH4, MH3和LX7ii主机，继续强大的家族外观和感觉横跨范围。可提供16至40个频道，GB4是专为教堂、表演场地等装置或小型巡回音响系统而设计的。在MH3和MH4课桌上成功实现的双模拓扑允许GB4用于FOH或监控任务，并对组或辅助输出进行fader控制。虽然GB4在布局上很大程度上是传统的，但它确实有一些独特的机械特性。坚固的钢底盘有一个倾斜后连接器面板，使它更容易配置从前台的桌子，而整体电源有一个外部备份PSU的链接选项。四个静音组允许几个频道同时静音，而另一个独特的设施是一组专用记录输出的限制器，使其更容易创建立体声混音录音。控制台还具有一个输出矩阵，从组总线和主要L、R和C(单声道)输出提供7个馈入到4个输出。 GB4提供了一套全面的功能和设施，在一个小的和经济的足迹，并提供了高性能和可靠性，您将期望从一个Soundcraft产品。模拟\/数字:模拟帧大小:32 立体通道:2 数字I\/O:无 FX处理器:0 组:4 EQ波段:4 辅助发送:8 返回:3 直接输出:是矩阵输出:4 主总线输出:LRC"